Mixtape Friday: It's Rex Manning Day!
By Canyon Cody
Published in The Heights
I get sick of songs pretty quickly, especially when my roommate plays his new favorite tune every five minutes. Imagine how sick you are of U2's "Vertigo" after watching the iPod commercial a million times. Now imagine how sick of it Bono must be, and yet he still has to perform it at every stop on tour.Musicians usually resort to playing covers for two reasons: Either they don't have enough original material or they're sick of playing their own songs. When Jack Johnson appeared in concert on March 3 at the Virgin Megastore, he played a number of covers for a different reason: he couldn't remember the lyrics or the chords to his own songs.
Bay Area DJs Sway and King Tech host a radio show where they put famous rappers on the spot and test their memory of the lyrics to their own songs. It's hilarious to listen to Ice Cube struggle to remember the words to his own classics from years ago.
A-Side
Led Zeppelin "Stairway to Heaven"
The first 250 fans who purchased Johnson's new album In Between Dreams were rewarded with a special yellow bracelet that allowed us to see Johnson perform. Instead of letting us wait inside, the sadists at Virgin forced us to wait outside in the bitter cold. At one point it appeared like Johnson had finally arrived, but to everyone's surprise, Paul Peirce from the Celtics emerged instead from a black Escalade to buy 50 Cent's new album, which was released on the same day. Finally at 12:30 p.m., an identical Escalade rolled up and Johnson popped out, smiling and tan.
He took requests from the crowd, but apologized when he couldn't remember the words to some of his older songs. Someone in the crowd jokingly suggested "Stairway to Heaven" and Johnson tried to humor him, but only managed to remember the first few chords. Johnson didn't seem bothered when he couldn't remember his own songs, but he was clearly frustrated that he forgot how to play the Zeppelin classic.
B-Side
Charles Wright "Express Yourself"
This funky track from 1969 by Charles Wright, was later made famous when sampled/covered by Dr. Dre as a member of N.W.A. The uplifting song doesn't really fit on Staight Outta Compton, an otherwise nihilist gangsta rap album, but fit perfectly as a transition between Johnson's happy-go-lucky songs.
Ernie Mars "Plastic Jesus"
One fan nonchalantly set up a microphone to record the concert, which Johnson not only tolerates but encourages. His Web site even offers a place for fans to trade bootlegs of his live shows. Over the years these have included covers of "Rudolph the Rednose Reindeer," Robert Johnson's "Dust My Broom," Jimmy Buffet's "Pirate Looks at Forty," Bob Marley's "Trenchtown Rock," and Sublime's "Garden Grove." The only true cover he sang at this show was Ernie Mars' "Plastic Jesus," with its famous lyrics, "I don't mind if it rains or freezes/ Long as I have my plastic Jesus/ Riding on the dashboard of my car."
Showing posts with label jack johnson. Show all posts
Showing posts with label jack johnson. Show all posts
March 17, 2005
March 3, 2005
Infectious joy from Jack Johnson
By Canyon Cody
Published in The Heights
While the sun struggles to break through the blizzard in Boston, Jack Johnson's new album In Between Dreams brings much appreciated warmth to an otherwise dreary winter of bland, gray music. It's a bit more upbeat and multi-layered with various instruments than his previous albums, but it's still filled with Johnson's characteristic relaxed vibe and subtle, poignant lyrics.
Johnson's music will make you feel good on the inside. The timbre of his voice and the simple plucking of his acoustic guitar convey a contagious joy in life. Johnson seems so content with life that his melodic smile might seem exaggerated, until you remember this guy spends most of his time surfing and playing guitar on the North Shore of Oahu.
In fact, Johnson's life at the beach was so good that he was initially reluctant to pursue a music career at all. Johnson decided against signing to a major label and dealing with record companies and all those "mediocre bad guys" he sang about on his last album, On and On.
Instead Johnson started his own label, Brushfire Records, with his wife and friends, releasing his phenomenonal surf movies, September Sessions and Thicker Than Water, and their equally great soundtracks.
The only person happier than Johnson might be his wife. Many of the best songs on In Between Dreams are love songs dedicated to her, including "Do You Remember?" on which Johnson sings about first meeting his future wife: "I was crazy about you then and now/ but the craziest thing of all/ over 10 years have gone by/ and you're still mine."
On "Banana Pancakes" Johnson sings about staying inside and making banana pancakes with his wife and kids on a rainy day. While some might envy the lavish Cribs on MTV, Johnson paints a much more attractive picture of his domestic life: "We could close the curtains and pretend there's no world outside."
Johnson supports hiding from the outside world sometimes. On "Good People" he sings, "Where did all the good people go? I been changing channels/ I don't see them on the TV shows."
Since his first album Johnson has been an outspoken opponent of television and its effect on our culture. On iTunes Originals, an album he released last year, he explains the inspiration for his songs: "Sometimes I get embarrassed when I turn on the TV, you know? Cuz' we're all the same thing and when I see some other humans acting so silly on some reality TV show, just to sensationalize, it just kinda makes me feel stupid."
"Staple It Together," "Never Know," and single, "Sitting, Waiting, Wishing," are Johnson's most upbeat songs to date, with funky reggae rhythms and occasional jazzy piano. Johnson adjusts his flow for these songs, nearly rapping his way through his verses. While most rappers brag about their bling, all that Johnson can do is "tell you that my metaphor is better than yours."
Some people like their musicians bigger than life, but I prefer mine full of life. Johnson overflows with soul, in a quiet sort of way.
In order to promotes his new album, Johnson signing autographs at Virgin Records on Newbury Street today at 1 p.m. He will also perform songs from In Between Dreams, but you will need to show your purchased copy of the album in order to get into the concert.
By Canyon Cody
Published in The Heights
While the sun struggles to break through the blizzard in Boston, Jack Johnson's new album In Between Dreams brings much appreciated warmth to an otherwise dreary winter of bland, gray music. It's a bit more upbeat and multi-layered with various instruments than his previous albums, but it's still filled with Johnson's characteristic relaxed vibe and subtle, poignant lyrics.
Johnson's music will make you feel good on the inside. The timbre of his voice and the simple plucking of his acoustic guitar convey a contagious joy in life. Johnson seems so content with life that his melodic smile might seem exaggerated, until you remember this guy spends most of his time surfing and playing guitar on the North Shore of Oahu.
In fact, Johnson's life at the beach was so good that he was initially reluctant to pursue a music career at all. Johnson decided against signing to a major label and dealing with record companies and all those "mediocre bad guys" he sang about on his last album, On and On.
Instead Johnson started his own label, Brushfire Records, with his wife and friends, releasing his phenomenonal surf movies, September Sessions and Thicker Than Water, and their equally great soundtracks.
The only person happier than Johnson might be his wife. Many of the best songs on In Between Dreams are love songs dedicated to her, including "Do You Remember?" on which Johnson sings about first meeting his future wife: "I was crazy about you then and now/ but the craziest thing of all/ over 10 years have gone by/ and you're still mine."
On "Banana Pancakes" Johnson sings about staying inside and making banana pancakes with his wife and kids on a rainy day. While some might envy the lavish Cribs on MTV, Johnson paints a much more attractive picture of his domestic life: "We could close the curtains and pretend there's no world outside."
Johnson supports hiding from the outside world sometimes. On "Good People" he sings, "Where did all the good people go? I been changing channels/ I don't see them on the TV shows."
Since his first album Johnson has been an outspoken opponent of television and its effect on our culture. On iTunes Originals, an album he released last year, he explains the inspiration for his songs: "Sometimes I get embarrassed when I turn on the TV, you know? Cuz' we're all the same thing and when I see some other humans acting so silly on some reality TV show, just to sensationalize, it just kinda makes me feel stupid."
"Staple It Together," "Never Know," and single, "Sitting, Waiting, Wishing," are Johnson's most upbeat songs to date, with funky reggae rhythms and occasional jazzy piano. Johnson adjusts his flow for these songs, nearly rapping his way through his verses. While most rappers brag about their bling, all that Johnson can do is "tell you that my metaphor is better than yours."
Some people like their musicians bigger than life, but I prefer mine full of life. Johnson overflows with soul, in a quiet sort of way.
In order to promotes his new album, Johnson signing autographs at Virgin Records on Newbury Street today at 1 p.m. He will also perform songs from In Between Dreams, but you will need to show your purchased copy of the album in order to get into the concert.
February 17, 2005
Mixtape Friday: A Stereo Held Above My Head
By Canyon Cody
Published in The Heights
Ask Lloyd Dobler: When you're in love, it can be hard to find just the right words. John Cusack's character from Say Anything overcomes his stumbling tongue by simply holding his stereo above his head and letting Peter Gabriel sing what Dobler couldn't articulate himself.
Poet Rainer Maria Rilke had some advice for young lovers: Do not write love poems. "They are the most difficult," he writes, "for it takes a great, fully matured power to give something of your own where good and even excellent traditions come to mind in quantity."
The point is that very few of us are blessed with a gift for romantic words, and Lloyd Dobler and I are not two of them. For Valentine's Day we have to rely on "In Your Eyes" to whisper in her ear the words we couldn't find ourselves.
A-Side
Bob Marley "Is This Love" (Horns Mix)
Simple love is the most attractive. Marley can't offer her the world, but he can promise her, "We'll be together, with a roof right over our head." On-campus Boston College couples will relate to Marley's tale of tiny dorm beds: "We'll share the shelter of my single bed." Instead of the overplayed original on Legends, check out the version on Marley's four-disc boxed set. The remix is similar enough to remain familiar, but new enough to be exciting again, like hooking up with your girlfriend's sister.
Van Morrison "Crazy Love" [ft. Bob Dylan]
Better than the original, even though mumbly Bob Dylan clearly does not know all the words.
Citizen Cope "Sideways"
Breaking up with your girl is an inevitably regrettable decision. Freedom never tastes as good as she did, and eventually you find yourself feeling like Citizen Cope: "I keep thinking that time will take them away, but these feelings won't go away." Valentine's Day is perfect for reconciliation and there's nothing better than make-up sex.
B-Side
Jack Johnson "Tomorrow Morning"
50 Cent might consider himself quite the P.I.M.P., but Jack Johnson proves that he's the true Don Juan. On an amazing album released exclusively through iTunes, appropriately titled iTunes Originals, Johnson sits in the studio strumming his guitar, singing bits of tracks from On and On and explaining where the inspiration for his songs come from.
"Tomorrow Morning" began as a message he left for his wife while out on tour and unable to reach her. On the answering machine he sang, "What would you do if I wrote you a song? Would you give me some loving when I get home? Would you be mad at me if I had a hard time getting ahold of you, but baby I try all the time." Johnson explains, "That was the end of the message, and that was all I wrote it for, to try and get my wife to laugh instead of being mad at me for being so bad at getting a hold of her."
I still have a lot to learn about what women like, but I'm going to guess that she was pleased.
By Canyon Cody
Published in The Heights
Ask Lloyd Dobler: When you're in love, it can be hard to find just the right words. John Cusack's character from Say Anything overcomes his stumbling tongue by simply holding his stereo above his head and letting Peter Gabriel sing what Dobler couldn't articulate himself.
Poet Rainer Maria Rilke had some advice for young lovers: Do not write love poems. "They are the most difficult," he writes, "for it takes a great, fully matured power to give something of your own where good and even excellent traditions come to mind in quantity."
The point is that very few of us are blessed with a gift for romantic words, and Lloyd Dobler and I are not two of them. For Valentine's Day we have to rely on "In Your Eyes" to whisper in her ear the words we couldn't find ourselves.
A-Side
Bob Marley "Is This Love" (Horns Mix)
Simple love is the most attractive. Marley can't offer her the world, but he can promise her, "We'll be together, with a roof right over our head." On-campus Boston College couples will relate to Marley's tale of tiny dorm beds: "We'll share the shelter of my single bed." Instead of the overplayed original on Legends, check out the version on Marley's four-disc boxed set. The remix is similar enough to remain familiar, but new enough to be exciting again, like hooking up with your girlfriend's sister.
Van Morrison "Crazy Love" [ft. Bob Dylan]
Better than the original, even though mumbly Bob Dylan clearly does not know all the words.
Citizen Cope "Sideways"
Breaking up with your girl is an inevitably regrettable decision. Freedom never tastes as good as she did, and eventually you find yourself feeling like Citizen Cope: "I keep thinking that time will take them away, but these feelings won't go away." Valentine's Day is perfect for reconciliation and there's nothing better than make-up sex.
B-Side
Jack Johnson "Tomorrow Morning"
50 Cent might consider himself quite the P.I.M.P., but Jack Johnson proves that he's the true Don Juan. On an amazing album released exclusively through iTunes, appropriately titled iTunes Originals, Johnson sits in the studio strumming his guitar, singing bits of tracks from On and On and explaining where the inspiration for his songs come from.
"Tomorrow Morning" began as a message he left for his wife while out on tour and unable to reach her. On the answering machine he sang, "What would you do if I wrote you a song? Would you give me some loving when I get home? Would you be mad at me if I had a hard time getting ahold of you, but baby I try all the time." Johnson explains, "That was the end of the message, and that was all I wrote it for, to try and get my wife to laugh instead of being mad at me for being so bad at getting a hold of her."
I still have a lot to learn about what women like, but I'm going to guess that she was pleased.
November 4, 2004
Jack Johnson as Consolation
By Canyon Cody
Published in The Heights
Tuesday was a sad day for America. I will try not to exaggerate the issue, but I feel sincerely afraid of what might happen in our world during the next four years. For the moment, I can find no energy for protest. There is something so alarming about what I see occurring in my country that I cannot confront it directly.
In times like these, I escape to music. At its very best, music can do something that I cannot: It can simultaneously condemn the ugliness and celebrate the beauty in the world. On a day when Americans in 11 states have decided to vote homophobic bigotry into marriage law, I don't need music to remind me of the injustice that surrounds us. Today I need music for hope, or at least consolation. Here hip-hop can't help me, and instead I turn to the simple poetry of surfer guitar player Jack Johnson.
A-Side
Jack Johnson "Times Like These"
Liberals are inclined to talk about the president's re-election as if it marks the end of the world, but the slow, cyclical life of the Hawaiian surf has taught Johnson not to overreact to bad waves. From his perspective, the endless back-and-forth power struggles of politics, filled with "those for peace and those for war," are as meaningless as they are inevitable.
His words are simple, but his subtle wisdom is reassuring: "In times like these/ In times like those/ What will be will be/ And so it goes." All I can do now, Johnson seems to say, is ask God to grant me the serenity to accept the things I cannot change. From the beaches of Honolulu, the politicking in Washington, D.C. seems distant and relatively unimportant to Johnson. When listening to Johnson, I'm not trying to forget or ignore the dirty politics in D.C.; I'm trying to remember the beauty that exists everywhere else.
B-Side
Jack Johnson "Cookie Jars"
The problem is not George Bush. The problem is the 59 million Americans who voted for him. Johnson sings, "We only receive what we demand/ And if we want hell then hell is what we'll have."
Why are so many middle-class Americans willing to support a president who does not support their interests? Because the television media coverage of the election was so poor that most voters were woefully uninformed. I understand exactly how Johnson feels when he sings, "I would turn on the TV, but it's so embarrassing." The right-wing bias of Fox News doesn't bother me as much as the general incompetence of television news. Jon Stewart rightfully criticized the political hacks on Crossfire for hurting America by turning politics into some sort of entertainment spectacle. "You're doing theater when you should be doing debate to inform citizens so that they can be knowledgeable," Stewart said.
By Canyon Cody
Published in The Heights
Tuesday was a sad day for America. I will try not to exaggerate the issue, but I feel sincerely afraid of what might happen in our world during the next four years. For the moment, I can find no energy for protest. There is something so alarming about what I see occurring in my country that I cannot confront it directly.
In times like these, I escape to music. At its very best, music can do something that I cannot: It can simultaneously condemn the ugliness and celebrate the beauty in the world. On a day when Americans in 11 states have decided to vote homophobic bigotry into marriage law, I don't need music to remind me of the injustice that surrounds us. Today I need music for hope, or at least consolation. Here hip-hop can't help me, and instead I turn to the simple poetry of surfer guitar player Jack Johnson.
A-Side
Jack Johnson "Times Like These"
Liberals are inclined to talk about the president's re-election as if it marks the end of the world, but the slow, cyclical life of the Hawaiian surf has taught Johnson not to overreact to bad waves. From his perspective, the endless back-and-forth power struggles of politics, filled with "those for peace and those for war," are as meaningless as they are inevitable.
His words are simple, but his subtle wisdom is reassuring: "In times like these/ In times like those/ What will be will be/ And so it goes." All I can do now, Johnson seems to say, is ask God to grant me the serenity to accept the things I cannot change. From the beaches of Honolulu, the politicking in Washington, D.C. seems distant and relatively unimportant to Johnson. When listening to Johnson, I'm not trying to forget or ignore the dirty politics in D.C.; I'm trying to remember the beauty that exists everywhere else.
B-Side
Jack Johnson "Cookie Jars"
The problem is not George Bush. The problem is the 59 million Americans who voted for him. Johnson sings, "We only receive what we demand/ And if we want hell then hell is what we'll have."
Why are so many middle-class Americans willing to support a president who does not support their interests? Because the television media coverage of the election was so poor that most voters were woefully uninformed. I understand exactly how Johnson feels when he sings, "I would turn on the TV, but it's so embarrassing." The right-wing bias of Fox News doesn't bother me as much as the general incompetence of television news. Jon Stewart rightfully criticized the political hacks on Crossfire for hurting America by turning politics into some sort of entertainment spectacle. "You're doing theater when you should be doing debate to inform citizens so that they can be knowledgeable," Stewart said.
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