Video of gNotes and Afro DZ ak freestyling at Tufts University, moving from the mic to the trumpet, from live drums and to organic rhymes




Check out more at Gnawledge.com

Edutainment from Afro DZ ak, dropping gnawledge on the mic and through his trumpet.



"Action is what gives words traction
And true service to others is its own satisfaction" Afro DZ ak



"The youth need a little inspiration
Beyond the mass media infiltration" Afro DZ ak

Much repect to Speakerheart for producing these films.
Check Speakerheart.com for more.

Ryan Wade: plays well with others
By Canyon Cody
Published in The Heights

When Gnotes, aka Sean Dwyer finished the music for his new album Inthrumental, he asked Ryan Wade, BC '05, to design a cover that matched the album's unique sound of joyous instrumental hip-hop. "Before I even saw [Wade's] design, I knew I would love it. I sent him the album and just a few days later he sent it back with the music converted to paint," explained Gnotes.

Any artist with a major in studio arts can paint a pretty picture, but Wade has the unique ability to interpolate music and visually adapt the sound for the cover art. Since graduating he has designed the artwork for two albums and a DVD cover, and hopes to continue working with musicians and filmmakers in the future.

Like most young boys, Wade enjoyed drawing dinosaurs, trucks, and comic book superheroes, but didn't seriously consider art as a career until college. "Instead of watching TV in my dorm room, I'd just go mess around in the art studio," he said. He cites Art Nouveau, Rick Griffin, and Paul "Diddy" Hughes as his biggest art influences and currently works primarily in watercolor and graffiti stenciling.

Earlier this year, director Francisco Saco asked Wade to design the cover for his new skate film, Distant. Wade's colorful cover reflects the fluid, dynamic cinematography of the film, which features stunning shots of amateur skaters in different countries around the world.

"There's no better way to get to know a city or town, and all its local flavors, than on a skateboard. Just rolling down the streets and looking all around you. Seeing what there is all around you. It's the best way to travel, best way to meet people," said Saco.

The soundtrack alone is worth the price of admission, featuring Blockhead, Talking Head, Warren Zevon, and more. The music and cinematography are first-rate, but I don't know a thing about skateboarding, so I sent the film to my little brother, who is a connoisseur of fine skate cinema.

Here is my brother's review of the film:
"My name is Sunny White, age 10 in fifth grade and I am reviewing the skate video, A Journey through the Lens. Some of the things that I thought were cool were that the producer went around skating with friends and videotaping local skaters from Boston, Costa Rica, Spain, Japan, France, and Holland.

"Another thing I liked was how creative they got with the cover of the DVD. I thought the skating in the video was really good. I thought it was cool how they showed how all the skaters fell. I liked how they had skaters from different levels, some good and some not so good. I liked how they used the negative image in some of the video.

"I think this is one of my favorite skate videos that I have seen."

Like my brother, Saco has been skateboarding since he was a kid and one day decided to bring his video camera along to film his friends' tricks. "At first, I wasn't doing anything coherent, just filming," he admits. Then he brought his camera and his skateboard to Europe and filmed sessions in Madrid, Cannes, and Amersterdam. "That's where I got the idea to make an 'around the world' skate video," explains Saco.

Saco is currently finishing his second film, Tortilla Flats, based on a Mexican immigrant who faces racial tension and classism while working at a burrito restaurant.

Last year, a group of BC students recorded an album of spoken-word poetry and asked Wade to design the artwork. Myran Hunter, Martine Russell, Noah Dixon, and Sean Dwyer called themselves the Dorm Room Griots because the album was recorded entirely on campus. Keeping with the spirit of independent, locally produced music, the album's art was designed by Wade and fellow senior studio art major Ian Greenwalt. Hunter, now a high school English teacher in Washington DC, reflected on his experience with the album and the importance of Wade's art:

"Working on the Flow From Above was a huge accomplishment for many individuals. It was truly amazing to see a group of college students come together in the most humble and meager of means inside a small, cluttered bedroom of a dorm and construct a piece of work that resonated so many ideas, styles, thoughts, and passions. Seeing the artwork done for the album really solidified the whole experience. No longer was it something that was talked about, it evolved from an abstract concept into a concrete piece of artwork filled with an abundance of expression and life. It was an excellent project that allowed the artists involved, including myself, to truly set themselves free."

Wade recently started a silk-screening company in order to sell his art on T-shirts and hoodies. Anyone interested in custom orders can reach Wade at BornToBeRad@gmail.com or see of his artwork at Gnawledge.com

Mixtape Friday: Dorm Room Griots' Flow From Above
By Canyon Cody
Published in The Heights

For my little brother's 10th birthday, I sent him The Giver by Lois Lowry. The story follows Jonas through his apprenticeship under the Giver, an old man who serves as his community's Receiver of Memories.

Like the Giver, West African griots have served for centuries as keepers of memories. Griots are oral storytellers who use poetry and music to teach their village about its history. In America, griots became rappers, but somewhere between Senegal and the South Bronx, these rappers forgot the history they were entrusted to protect.

Today, the village of hip-hop suffers from a serious ignorance of its own past, which extends past New York in the 1970s. Modern-day spoken word poets like Saul Williams are hip-hop's true storytellers, but griots are not supposed to be celebrities; they're supposed to be functioning members of every village.

A-Side

Myran Hunter "We Have Forgotten"

At Boston College, a group of poets called the Dorm Room Griots have recorded Flow From Above, an album of spoken word poetry. They will be performing with musicians and DJs at the record release party on Friday at 9 p.m. at The Perch in McElroy.

On "We Have Forgotten," Myran Hunter, BC '07, speaks about the African musical and social history that hip-hop has sold out. "You can purchase an alternate ego, a lavish lifestyle, worldwide recognition, or even a whole new identity. All of this can be yours for three easy payments of your past, your present, and your future," Hunter says.

Noah "The Conflict"

"We are the BC '06, on this track from his upcoming rap album. Noah brings variety to the poetry album, rapping about the inherent conflicts involved in struggling to succeed in a country that was built on slavery.

B-Side

Martine Russell "Moonbeams"
Griots are both men and women, but hip-hop refuses to pass the mic to females. On "Moonbeams," Martine Russell, BC '06, sings her ode to the urban village, the "birth-mother to b-boys and b-girls." Her poem celebrates the persistence of a battered, but not beaten, metropolis, "survivor of Nixon and drug wars / all the while she continues to smile."

Sean Dwyer "Woodrow Wilson"
Time for some American history. "It's no wonder to which demographic democracy reaches / it's been since Woodrow Wilson when a president wrote his own speeches," raps Sean Dwyer BC '04.

More than guns or drugs, hip-hop promotes consumerism. Rappers are like commercials, encouraging listeners to buy, buy, buy. On his track, Dwyer explores how blind consumerism leads to global injustice: "I need to purchase more dead weight, my clothes have more pockets / Am I purchasing death? Wait, how'd they pay for those rockets?"